Prensa // Recent press

Ey internet astronauts, I've just come off tour with Verbobala after two months in Mexico, it was a mind-blowing time. A bunch of press came out of it, which we're grateful for. Most is in Spanish of course, but there's a bit in English later in the list. More soon!

Plus, below is some footage from a show that Sonidero Verbobala rocked in Coyoacán, Mexico City.

Click for PDF // haz click para leer el PDF:
Emeequis Verbobala

Los Peces del Viento

Este miércoles es la premiere del documental "Los Peces del Viento" del videoasta Wilfred Massamba. La obra se enfoca en dos poetas bilingües, el mexicano Mardonio Carballo (español-náhuatl) y el estadounidense Logan Phillips (español-inglés), en este estreno contaremos con la presencia de los dos y el grupo Bungalo Dub. Miércoles 11 de junio a las 20:00 hrs en la Alianza Francesa México, Sócrates #156 (esq. Homero), Col. Polanco, México D.F. La entrada es gratis.

This Wednesday is the premiere of the documentary "Los Peces del Viento" by filmmaker Wilfred Massamba. The work focuses on two bilingual poets, Mardonio Carballo (Mexico, Spanish-Náhuatl) and Logan Phillips (USA, English-Spanish). Both will be present at the event, along with the group Bungalo Dub.

Wednesday, June 11th 2008, 8pm at la Alianza Francesa México, Sócrates #156 (esq. Homero), Col. Polanco, Mexico City. Free.

LOS PECES DEL VIENTO Palabras, words, des mots... Mouvement poétique, social et culturel, le «slam» apparaît à Chicago dans les années 80. Basé sur la notion de communauté, le slam affirme le caractère démocratique de la poésie et lui ajoute une dimension de spectacle. Un documentaire de Wilfrid Massamba (52'). Los peces del viento…palabras, words ce ne sont que des mots. La parole se manifeste comme une expression des désirs, pensées, émotions, souffrances, aspirations…

Local boy makes…

This is first in a series of posts that I've been meaning to make over the last few months of tour, but am only now getting to.

Like most people, I couldn't wait to leave the town that I grew up in. My entire world was a little place called Sierra Vista, and it seemed to me that it existed at the expense of everywhere else: I wouldn't be able to expand my horizons until I left and vowed never to come back. Sure, that's extreme, but the world is an extreme place at 18 years old.

Again, like many people, I used the change of scenery to reinvent myself. Moving to Flagstaff, I grew my hair long and started to read my poems in public. I played a lot of guitar with people I had just met. I skateboarded everywhere. These were all things that I hadn't been able to do in my hometown.

It has only been this spring––some seven years later––that I've made my peace with this place. Though I regularly came back to visit my parents, I still wasn't comfortable. Then, a few years back, I began to perform in Bisbee from time to time and discovered a generous and empathetic audience.

Word got around, and plans started to be made for coming back to my old high school. I've always liked working in schools, but I was nervous about this one. I had been a very different person in high school––would the place remember me that way? There was lots of anticipation.

On a Friday in late March I did two performances for about 500 students each, and had brought along two of my favorite poets from the Albuquerque scene: Carlos Contreras and Jasmine Cuffee. I didn't want it to be about me, I wanted to be about us, about the students: this was something that anybody could do. After the school-day performances, we came back to the library later that night for a performance open to the entire community. It was a great little crowd.

Jazz, Carlos, Adam (along for the ride), and I celebrated hard later that night. I woke up on my living room floor the next morning (it was a full house) with a groggy head. Carlos tells me "You're not going to believe this," and tosses a newspaper at me. I fail to catch it, and it hits me in the face. And there it was: my mug on the front page. Holy shit. What a surreal thing.

 logan phillips herald front page

Then the following Monday we did something like four workshops with about 30 students each. We tried to touch on everything in a very short time: free writing, revising, reading for a peer group, performing for a crowd, and even organizing a slam. Turns out that it worked, because a month or so later the school held their first-ever poetry slam.

And the student council asked me to speak at the Class of 2008 graduation, which I did last Thursday. The day had started with near-disaster: I was traveling to Sierra Vista from New York City, where Verbobala had just played our last date of the spring tour. Arriving to JFK, the airline had lost my reservation, and I was moments from missing my plane.

But no, the angels were smiling, and I made it to graduation. I may be the first person to ever give a graduation speech whose theme is I really don't know what to tell you. I had been racking my brains on the plane, and I realized that it would seem false to me if I suddenly got up in front of that crowd and tried to feign wisdom. I really didn't know what I could say that would be all-encompassing and relevant... except, well, that: I don't have it figured out perfectly and neither does anybody else. But that's OK. I then told a story I wrote a few years ago called "Sun Said Shine," and pulled from it a few tips that I thought might be useful. The newspaper was there again.

The infamous Sierra Vista wind was in full force, it was like the X-Games version of a high school graduation. Far cooler than speaking was getting to shake the hand of each one of the 596 graduates immediately after they received their diploma. What a unique moment to be a part of. Crazy damn kids. The world is theirs.

It's all been a really big honor, one that I never saw coming. Big thanks are in order to the principal Tad Bloss and the amazing librarian Mary Kohn, without whom I might have never made peace with this weird little place where I spent sixteen years of my life. And I helped bring poetry into the "cool" at my old HS. That feels good.

Interviewed in REFORMA

article preview

The night of the first Mexican poetry slam, I was interviewed by Óscar Cid de Leon for the national newspaper Reforma. Below is the article, both in English and Spanish.

click here for full articleClick the above image for the full-size article.

English below.

Lunes 5 de marzo del 2007 Cultura, REFORMA PRENDE EL SLAM POÉTICO Logra el concurso de poetas orales inesperada afluencia de público y participantes. Oscár Cid de León

Cuarenta personas al principio, y unas 90 al cerrar la noche, asistieron el viernes al primer slam chilango de poesía. ¿De que se trataba? Más de la mitad de los congregados no lo sabían, pero aun así decidieron reunirse y ponerse a tono con este tipo de iniciativas que desde la década de los 80 se realiza en bares y cafés de Estados Unidos.

La acción, explico en entrevista el slam poet estadounidense Logan Phillips, convoca a concurso a un puñado de autores noveles, que, familiarizados con las expresiones del rap y el hip-hop, ofrecen al público creaciones líricas en voz alta amalgamadas con el arte interpretativo.

Ante una concurrencia expectante, la Ciudad de México se estrenó en la materia con el primer Slam de Poesía (Taberna Red Fly, Orizaba 145, Col. Roma) en el que participaron 10 escritores y MC hiphoperos.

Oscar de pablo, vecino de la Roma y no muy familiarizado con la cultura del rap, fue elegido como el mejor de la noche, según la opinión del público que influye con sus abucheos sobre un jurado elegido entre la misma concurrencia.

"Hay que socializar la poesía, sacarla de su nicho elitista y de papel, porque en realidad la poesía es un fenómeno sonoro y colectivo, y este tipo de actividades son estupendas en ese sentido" señalo quien en 2004 ganó el premio Nacional de Poesía Joven Elias Nandino.

Por tratarse de la primera experiencia, el público se mostró poco participativo al inicio; pero conforme corrió la noche, la cerveza aflojó el cuerpo y desinhibió la garganta, resultando en un contagio general ante cada una de las participaciones.

Phillips que con menos de 30 años es ya un veterano en este tipo de certámenes, no podía perderse la primera experiencia en el D.F.

"Tengo experiencia organizando slams en Estados Unidos, y sé que usualmente estas comunidades comienzan en un café con un grupo de amigos, quizá unas 10 personas, para después multiplicarse conforme se corre la voz, señala quien radicado en Cuernavaca, fue invitado por las organizadoras Imuris Valle y Cara Cummings para transmitir su experiencia a los presentes.

"Llegaron unas 80 personas, y eso es increíble. puedo asegurar que México ya esta preparado para este movimiento"

Ante la buena respuesta, anunciaron las organizadoras, los slams poéticos se llevarán a cabo en el mismo sitio el primer viernes de cada mes.

March 5th, 2007 POETRY SLAM CATCHES FLAME

An out-loud competition of poets attracts an unexpected number of audience members and participants.

Óscar Cid de León REFORMA

Forty people in the beginning, and about ninety at the end of the night, attended the first Mexico City poetry slam on Friday.

What was it all about? More than half the people there didn’t know, but even so they decided to come check out the new event, the kind of which have been happening in bars and cafés in the United States since the 80’s.

The action, explained the American slam poet Logan Phillips in an interview, centers around a handful of local authors who, familiar with expressions of rap and hip-hop, offer the crowd spoken lyrical creations which include elements of interpretive performance.

The movement debuted before an eager crowd in Mexico City at the Primer Slam de Poesía, (Red Fly Tavern, Orizaba 145, Col. Roma) with the participation of ten writers and hip-hop MC’s.

Oscar de Pablo, a neighborhood resident who is not very familiar with rap culture, was voted the best of the night, according to the crowd who with their booing influenced the judges, who were selected at the event.

“Poetry must be made more social, taken out of its elite niche and taken off paper, because really poetry is a sonorous and collective phenomenon. Events like this are great in that sense,” said de Pablo, who in 2004 won the Elías Nandino National Youth Poetry Prize.

Being the first experience, the crowd wasn’t very participative in the beginning, but as the night went on, the beer loosened the body and uninhibited the throat, resulting in a contagousness for verse running through all the participants.

Phillips, less than 30 years old, is already a veteran of this type of competition and couldn’t miss the first event in Mexico City.

“I have experience organizing slams in the United States, and usually these communities begin in a café with a group of friends, maybe ten people, to later grow thanks to word of mouth,” says Phillips, who currently lives in Cuernavaca and was invited by organizers Iris del Valle and Cara Cummings to bring his experience to the event.

“About 80 people arrived, and that’s incredible. I can say for sure that Mexico is prepared for this movement.”

Thanks to the great response, the organizers anounced that the poetry slams will continue to take place in the same bar on the first Friday of every month

Interview On KBRP-LP Bisbee

On the last night of 2006 I recorded an interview with Noah Suby for his show on Bisbee, AZ's low power radio station, 96.1 KBRP. It's a unique project, one I support any way that I can, it's one-of-a-kind in its area (south of Tucson). Noah and his family are great people, and Bisbee is almost an adopted home town for me at this point. It was a good time to say the least. We talked a bit about the area, about immigration and other things. I also read some poems, one of which, "Taxco, Something in the Sky" is very new. Noah wrote to say that the interview is going to be aired again this Saturday, January 20th at 3pm Arizona time (MST). You can listen in, thanks to KBRP's live streaming, which is a very cool thing for an LP station to have. Sooner or later a CD-R of the interview will make it to Mexico, and when it does, I'll post the audio here as well. Hasta entonces. Happy Wednesday.

Article from the Lumberjack

lumberjack article

I've been meaning to post this for awhile, but finally got around to it today. This is pretty cool: an article on me and the border events last April from The Lumberjack, the student newspaper of Northern Arizona University, where I graduated from back in May. Autumn Moodie did a great job, although for the record, I'm not an English Graduate Student, that's just a "mistake" which made it easier for the editors to accept the story, I think.

Here's a PDF of the article.

dirtyverbs on the airwaves

I'll be on the University's KJACK radio this Tuesday from 7pm-8pm, MST talking up the Grand Slam and probably doing a poem or two. Tune in via streaming mp3 or streaming window media player. This will be the second radio program I've been on in the last two weeks, last week Emilie Vardaman featured my poem "La Viejita de Sonora" on KBRP, 96.1 LP FM Bisbee during her borderlands poetry show. She explains the "LP" stands for "low power," meaning the broadcast just reaches Old Bisbee, they're hoping to boost power to cover Warren soon.